Sound and Music in Relation to Culture;
Histories of Sound Recording; Magazines
and Journals; Newspaper Articles, Pamphlets
and Facsimiles;Multimedia Works;
Technical References; Discography;
Musicography
N.B. The books marked with an asterix (*) are out of print
and currently unobtainable by the library so will you will need
to source them yourselves (second-hand bookshops etc.)
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Sound
and Music in Relation to Culture
Altman, Rick, (1992), Sound Theory, Sound Practice, Routledge
Apollonio, Umbro, (edited by with an introduction), (1973),
Futurist Manifestos, The Viking Press, New York
Armes, Roy, (1988), On Video, Routledge
Arts Council and authors (unspecified), (1986), Eye Music: The
Graphic Art of New Musical Notation, Arts Council Publication
Attali, Jacques, trans., Brian Massumi, (1977/85), Noise: The
Political Economy of Music, Manchester University Press
*Bangs, Lester, ed. by Greil Marcus, (1991), Psychotic Reactions
and Carburetor Dung, Minerva
Barthes, Roland, trans. by Stephen Heath, (1984), IMAGE/MUSIC/TEXT,
Fontana Press
Cage, John, (1987), Silence, Marion Boyars
Cardew, Cornelius, (1972), 'Scratch Music', Latimer New Directions
Chatwin, Bruce, (1988), The Songlines, Picador
Cooke, Deryck, (1989), The Language of Music , Oxford University
Press
*Critchley, M. and Henson, R.A. (eds.) (1977), Music and the
Brain: Studies in the Neurology of Music, London
Davis, John Booth, (1980), The Psychology of Music, Hutchinson
University Library
Deliège, Célestin, (1976), Pierre Boulez: Conversations
with Célestin Deliège, Eulenburg Books
Doane, Mary Anne, (1980), 'Ideology and the Practice of Sound',
in De Lauretis 47-56
Foster, Hal (ed,), (1988), Vision and Visuality, Dia Art Foundation
Goldstein, E. Bruce, (1989), Sensation and Perception, Wadsworth
Publishing Company, California
Goodall, Howard, (2000), 'Big Bangs: The Story of Five Discoveries
That Changed Musical History', London: Vintage
Gould, Glenn, ed. Tim Page, (1987), The Glenn Gould Reader,
Faber and Faber
Griffiths, Paul, (1984), Modern Music: A Concise History from
Debussy to Boulez, Thames and Hudson
James, Jamie, (1995), The Music Of The Spheres, Abacus
Johnson, Robert Sherlaw, (1989), Messiaen, J M Dent and Sons
Ltd.
Kahn, Douglas, (2001), 'Noise Water Meat', MIT Press
Kostelanetz, Richard, (1989), Conversing With Cage, Omnibus
Press
Lanza, Joseph, (1994), Elevator Music: A Surreal History Of
Muzak, Easy Listening And Other Moodsong, Quartet Books
*Lévi-Strauss, Claude, (1994), The Raw and the Cooked,
Pimlico
*Matossian, Nouritza, (1986), Xenakis, Kahn and Averill
Metz, Christian, (1980), “Aural Objects”, in Cinema/Sound
60, special issue of Yale French Studies, ed. Rick Altman
*Nattiez, Jean-Jacques, trans. by Carolyn Abbate, (1990), Music
and Discourse: Toward a Semiology of Music, Princeton University
Press
Nyman, Michael, (1974), Experimental Music: Cage and Beyond,
Studio Vista, London
*Ono, Yoko, (1970), Grapefruit, Peter Owen Ltd.
Phillpot, Clive and Jon Hendricks, (1988), Fluxus: Selections
from the Gilbert and Lila Silverman Collection, The Museum of
Modern Art, New York (catalogue)
Ramsay, Paul, (1995), 82 Scores, Harwood Academic Press (to
be published 1996)
Revill, David, (1992), The Roaring Silence - John Cage: A Life,
Bloomsbury
Schaeffer, Pierre, (1977), Traité des Objets Musicaux,
Paris: Editions du Seuil
Schwanauer, Stephan M. and David A. Levitt (eds.), (199?), Machine
Models of Music, MIT Press
Sinding-Larsen, H. (1988) 'Notation and Music: the History of
a Tool of Description and its Domain to be Described', Ed. Sinding-Larsen
91-114
Storr, Anthony, (1992), Music and the Mind, HarperCollins
Tamm, Eric, (1989), Brian Eno: His Music and the Vertical Colour
of Sound, Faber and Faber
Various Authors, (1986), Eye Music: the Graphic Art of New Musical
Notation, Arts Council Catalogue
Watson, Ben, (1994), Frank Zappa: The Negative Dialectics Of
Poodle Play, Quartet Books
*Weis, Elisabeth, (1982), The Silent Scream: Alfred Hitchcock's
Sound Track, Associated University Presses, Inc.
White, Avron Levine, (1987), Lost in Music: Culture, Style and
the Musical Event, Sociological Review Monograph 34: Routledge
and Kegan Paul
Wishart, Trevor, (1985), On Sonic Art, Imagineering Press
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Histories
of Sound Recording
Bergonzi, Benet, (1991), Old Gramophones, Shire Publications
Ltd.
Chanan, Michael, (1995), Repeated Takes: A Short History of
Recording and its Effects on Music, Verso
Chew, V.K., (1981), Talking Machines, Science Museum London,
Her Majesty's Stationary Office
Contini, Marco, (1987), Fonografi e Grammofoni (Phonographs
and Gramophones), trans., J. H. Neuteboom, Itinerari d'Immagini
Dearling, Celia and Robert, with Brian Rust, (1984), The Guiness
Book of Recorded Sound, Guiness Books
Jennings, Humphrey, (1995), Pandaemonium: The Coming Of The
Machine As Seen By Contemporary Observers, Papermac
*Proudfoot, Christopher, (1980), Collecting Phonographs and
Gramophones, Studio Vista - Christies' South Kensington Collector's
Series
Walter L. Welch and Leah Brodbeck Stenzel Burt (revised edition
by Oliver Read and Walter Welch 1976, this ed. 1994), From Tinfoil
to Stereo: The Acoustic Years of the Recording Industry 1877-1929,
University Press of Florida
Wagner, A. F., (1991), Recollections of Thomas A. Edison, City
of London Phonograph & Gramophone Society in association
with Symposium Records
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Magazines
and Journals
Art & Design Magazine Vol. 8 1/2 1993, Profile No. 28 -
Fluxus Today and Yesterday
The Wire
Hypermedia, SIG CHI Bulletin, ACM New York;
Computer and the Humanities;
Kippen,
James and Bernard Bol, (1994), Computers, Composition and the
Challenge of "New Music" in Modern India, in Leonardo
Music Journal Vol. 4 pp. 79-81
October;
Iris
Ellis 1994 , 'Powerful Songs: Their Placement in Aboriginal
Thought in The World of Music': Journal of the International
Institute for Traditional Music Vol. 36 (1) 1994 p3-20.
Recommended Records Quarterly magazine, (1987), Vol. 2, No.
1, (Interview with Pierre Schaeffer by Tim Hodgkinson)
Recommended Records Quarterly magazine, (1987), Vol. 2, No.
2
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Newspaper
Articles, Pamphlets and Facsimiles
Sun Newspaper; Thursday 6th February 1992: 'Silent CD Is A Hit'
'Recognition of the Sound Recording as a Cultural Medium', (1973)
pamphlet issued by the IFPI: International Federation of the
Phonographic Industry
Edison's Phonographs, (1902), published by E. Bayley, The Talking
Machine Review International, 19, Glendale Road, Bournemouth,
BH6 4JA.
New Century Phonographs Catalogue of 1903/04, published by City
of London Phonograph & Gramophone Society, 134 Railway Terrace,
Rugby, CV21 3HN. |
Multimedia
Works
Campbell, Oona and Paul Ramsay, (1995), Collages, Engaged Magazine
No. 3 (CD ROM Issue)
Gabriel, Peter, (1994), EXPLORA 1: Peter Gabriel's Secret World,
REALWORLD, MAC CD ROM
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Technical
References
Illingworth, Valerie (ed.), (1991), The Penguin Dictionary of
Physics, Penguin
Károlyi, Ottó, (1984), Introducing Music, Pelican
Lovelock, William, (1984), The Rudiments of Music, Bell &
Hyman Ltd.
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Discography
Adams, John, (1985), Light Over Water, New Albion Records NA
005
Bryars, Gavin, (1975), The Sinking Of The Titanic, OBSCURE OBS
1
Davis, Miles, (1969), In A Silent Way, CBS 450982 1
Eno, Brian, (1979), Ambient 1: Music For Airports, Editions
EG EGS 201
Giorno, John, Laurie Anderson, William Burroughs, (1981), You'
re The Guy I Want To Share My Money With, Giorno Poetry Systems
LP, GPS 020 - 021
Glass, Philip, (1974), Music in Twelve Parts: Parts 1 &
2, Virgin Records CA2010
HMV recording, (date unknown), 'Nightingales' and 'Dawn in an
Old World Garden (English Songbirds Awakening'), HMV B 2469
James, Richard, (1994), Selected Ambient Works Vol. II, Warp
WARPCD21
Partch, Harry, (1953?), Plectra & Percussion Dances, Gate
5 Records Issue C: HO8P - 1322
Reed, Lou, (1975), Metal Machine Music, RCA PIPDC 023
Reich, Steve, (1978), Music for 18 Musicians, ECM 1129
Schaeffer, Pierre, (19??) Etude aux Objets, Philips 835 487
AY
Neiss, James (executive producer),(1988), Futurism & Dada
Reviewed, Sub Rosa SUB CD 012-19
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Musicography
Cage, John, (1952), 4' 33"
Cage, John, (1960), Cartridge Music
Messiaen, Olivier, (1956), Oiseaux Exotiques |
Please send further links/references for inclusion to: p1ramsay@plymouth.ac.uk
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Teaching
Materials