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Teaching Materials Signposts: Lecture notes - A Question of Authorship
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Critical Studies Stage 1


FIAR 160 & 163

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Signposts Presentation 1: Introduction

Signposts Presentation 2: Reading and Notetaking

Signposts Presentation 3: Research Methods

Signposts Presentation 4: Notes on Writing a Critique of an Exhibition

Signposts Presentation 5: Referencing

Signposts Presentation 6: Notes on Essay/Critique for FIAR163

Signposts Presentation 7: Your Presentation

Reading List

London Trip (travel and links)

London Trip (notes)


Lecture Notes:
Beuys
An Index of Possibilities
The Image Exclipse
A Question of Authorship
Phenomenology
The Score
Warhol
Situationism
Orality and Literacy
The Word
The Open Work
Tracking the 'Underside' in Science
 

A Question of Authorship
by Sarah Bennett


The following issues relating to authorship will be discussed with examples:

• Historical concepts of the author
The rise of the artistic identity (author) in the European context
The author and modernism: notions of identity, authenticity, originality and reproduction
Authorial responsibility (Benjamin)
Breaking with traditions of authorship
Subversion of the author in postmodernism: collaborative practices, appropriation, feminism
Introducing the idea of the death of the author and semantic autonomy: Barthes, Derrida and Foucault (poststructuralism)

Slides

Brancacci Chapel, Florence x 6

Self Portrait
Self Portrait
Self Portrait with horn
Piero Manzoni signing a model
Artist's shit
No. 26A
Duration Piece No 7
I like America and America likes me
Goddess I
Vietnamese Woman
After Kandinsky
After Rodchenko
The Fountain
Sleeping Muse
Buddha
French Coach Couple
World
Ivrea
The Advantages of Being a Woman Artist
The Blind x 3
Betaville
Untitled
Self
Masaccio, Masolino circa 1424 - 28
Lippi circa 1481- 82
Filippino Lippi
Pablo Picasso 1907
Max Beckmann 1938
Piero Manzoni 1961
Piero Manzoni
Jackson Pollock 1948
Douglas Huebler 1973
Joseph Beuys 1974
Nancy Spero 1985
Nancy Spero 1985
Sherry Levine 1985
Sherry Levine 1987
Marcel Duchamp 1917
Constantin Brancusi circa 1920
Sherry Levine 1996
Jeff Koons 1986
Gilbert and George 1994
Langlands and Bell 1991
Guerrilla Girls 1987
Sophie Calle 1989
Angela Bulloch 1994
Haim Steinbach 1985
Marc Quinn 1991

References:

Barthes, R (1977) 'Image, Music, Text' (Translator - Heath, S) London: Fontana p. 142

Benjamin, W (1936) (1992) 'The Work of Art in the Age of Mechanical Reproduction'; in Harrison and Wood (eds) 'Art in Theory 1900-1990: an anthology of changing ideas Oxford: Blackwell pp. 512-520

Benjamin, W (1934) (1992) 'The Author as Producer' in Harrison and Wood (eds) Art in Theory 1900-1990: an anthology of changing ideas', Oxford: Blackwell pp. 483-489

Burke, S (1992) 'The Death and Return of the Author: criticism and and subjectivity in Barthes, Foucault and Derrida', Edinburgh: Edinburgh University Press

Burke, S (Ed.) (1995) 'Authorship: From Plato to the Postmodern, A Reader', Edinburgh: Edinburgh University Press Ltd.

Edgar, A and Sedgwick, P (Eds) 'Key Concepts in Cultural Theory', London and NY: Routledge

Foucault, M (1969) (1992) 'What Is an Author?' in Harrison and Wood (eds) 'Art in Theory 1900-1990: an anthology of changing ideas', Oxford: Blackwell pp. 923 -928

Goldstein, A and Rorimer, A (eds) (1995) 'Reconsidering the Object of Art: 1965 - 75', London and Cambridge, Mass: MIT Press

Kelly, O (1984) 'Creativity and Authorship' in 'Community, Art and the State', London: Comedia

Zurbrugg, N (Ed.)(1997) 'Jean Baudrillard: Art and Artefact', London: Sage


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